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                                                       MOVIE EDUCATION INTERVIEW AMATEUR

HOW TO MAKE BETTER HOME MOVIES
NO-NONSENSE ADVICE FROM THE PROFESSIONALS
Author: Julie Keller, Dispatch Accent Reporter






"You'll want to see Grandma and Grandpa in years to come, because once they're gone, they're gone."

Trouble is, most of us don't have Skillman's expertise. The videotapes we make at home often are choppy, poorly lit or downright boring; they feature Grandpa's knees or a close-up of the left side of Grandma's nose instead of the charming scene the photographer thought he was shooting.

With a little planning, though, almost anyone can make better home movies, according to local experts. And with the Christmas holidays approaching faster than a rampaging reindeer, it's a good time to have that camera rolling.



















         "You can do a lot by just putting the camera on a tripod and letting the action happen."

Rich Cupp, a videographer for WSYX-TV (Channel 6), was among the professionals who admitted he takes his work home. "I do the same thing everybody else does. Holidays, birthdays, I'm out there with my camera."

His advice? "You have to have an eye for composition, for the flow of the story."

Cupp's colleague Dan Bowman, chief photographer for WTVN, said novice videographers should forget their days with still cameras.

"People are used to taking only the pictures they want, only the necessary pictures," he said. "Well, a video camera isn't like that. You have to let the tape keep rolling along."

PROFESSIONAL VIDEOGRAPHERS use editing machines to trim excess material. Home editing equipment is available but still not widely used. Hence most home movies are edited "inside the camera," as professional videographers call the process of deciding what you'll shoot before you turn on the camera.

Paul Spohn, sports coordinator at WBNS-TV, had some specific tips. "If you're shooting your daughter opening her presents Christmas morning, don't just show one present, then another, then another. Cut away to something else in between - like somebody's face, the face of whoever gave her that present. Or show the fireplace or the decorations.

"You want to get the flavor of everything that's happening. Not boom- boom-boom, the same thing over and over again. Try to make it interesting."

Video is not as simple as it looks, Spohn stressed. "It takes a real eye. You're telling a story without words." In news photography, for instance, variety can be a storytelling element, Spohn said.

















"If you do shoot tight, and you're filming someone looking down at a package, for instance, there should be more space in front of their face than behind their head. We call it 'leading' them. It's simply the way people are used to looking at a movie.

"Also, the way you light a scene can make a big difference. You can add dimension to the picture by having some light hitting the backs of heads."

Such techniques are second nature to Lucretia Knapp, a local filmmaker who holds a master's degree in photography and cinema from Ohio State University. Knapp often invites friends over for dinner and films the affair, creating a sort of Midwestern My Dinner With Andre.

   "I just set the camera up on a tripod, and after a while people forget it's there," Knapp said.

For first-time filmmakers, Knapp said the small things often cause the biggest problems. "You do things like forgetting to turn on the microphone."

LOCAL RESIDENTS who want to learn more about home moviemaking can attend weekly seminars at Columbus Community Cable Access, 394 Oak St. Conducted from 5:30 to 6:30 p.m. each Tuesday, the sessions "teach people how to make television," said Director Vivian Schaefer.

Cable Access, Channel 21, is funded by cable access fees, she said. It broadcasts locally produced material - including, perhaps, your videotapes from last Christmas.

"We really hope people will bring us their home movies and let us put them on the air," Schaefer said. "People should just shoot stories, the kind of thing they like to watch on TV, as opposed to what they think they ought to be shooting."

Caption:
PHOTO ILLUSTRATION

THE COLUMBUS DISPATCH Copyright (c) 1987 The Dispatch Printing Co.
His comments were supported by Ed Rakochy, a videographer for WBNS-TV (Channel 10). "Even among professionals, if there's a new feature, it's like a new toy and we have to use it. People go 'zoom crazy,' for instance. When you watch their movies, you get seasick. Only use zoom or pan to follow the action, not to create it.
"The mistake most people make is not to have an idea when they start," said Skillman, who shoots commercials for clients of The Media Group. "They just turn on the camera and let it go."

SKILLMAN'S CREDO is simplicity: "Home video cameras offer a lot of features - fade in, fade out. But that doesn't mean you have to use all of them."
"I used to cover fires. Well, anybody can stand there and shoot the flames. I'd try to get tight shots of the firefighters' faces, then a close-up of their hands on the hose. You show everything. You get a feeling for the emotion of the event.

"It's the same thing with home video on Christmas morning. You get your daughter on Christmas morning, her eyes lighting up, her face. Forget the wide shot. So that 10 years down the road, you can say, 'Gee, that was a nice Christmas.' "

PAUL ERNST, production manager at WCMH-TV (Channel 4), said people at home can use a few professional tricks to their advantage. "Make sure there's enough space between the tops of people's heads and the top of the picture. We call it the 'safe area.' Or else the film will look very strange.
He's a no-nonsense cinematographer for a local production company, but Jed Skillman still gets all mushy at the idea:
"Home movies are the modern equivalent of the family album. I'd tell anybody - especially people with kids or older family members - to document them.
Part Two Click here    How To Make A Home Movie Lessions.